Paul L. Caron
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Friday, September 6, 2024

Weekly SSRN Tax Article Review And Roundup: Narotzki Reviews Escajeda's Bad Tax Policy Breeds Bad Blood Between Songwriters And Poets

This week, Doron Narotzki (Akron; Google Scholar) reviews an article by Hilary G. Escajeda (Mississippi College; Google Scholar), Bad Tax Policy Breeds Bad Blood Between Songwriters and Poets 183 Tax Notes Fed. 1625 (May 27, 2024).

Doron narotski

Escajeda offers a compelling and thought-provoking critique of the U.S. tax system's treatment of artists, an area that is not often discussed. With a lively and accessible writing style, Escajeda highlights an important but often overlooked disparity in how tax policy favors songwriters over poets. Using popular cultural references, such as Taylor Swift’s music, the article skillfully engages readers while discussing the more technical aspects of tax law which makes the topic relatable and easier to digest.

Escajeda’s main argument is clear and very persuasive: current U.S. tax laws offer preferential capital gains treatment to songwriters but at the same time subject poets and other non-musical artists to ordinary income tax rates. 

By comparing the tax treatment of musicians like Bob Dylan, who benefited from lower capital gains tax rates when selling his music collection, to poets like Amanda Gorman and Ada Limón, who are taxed at higher ordinary rates for selling their creative works, Escajeda demonstrates the unfairness and inconsistency in the tax code. The article succeeds in raising awareness about this issue and calls for a broader public conversation on the equity of tax policy for artists.

One of the article’s greatest strengths is its ability to make a somewhat complex tax issue very accessible. Escajeda’s use of modern cultural references, particularly invoking Taylor Swift’s music and lyrics, not only adds a fun element to the article but also makes it more relatable to a wider audience. This approach effectively brings a technical topic to life, guaranteeing that readers from various backgrounds, not just tax professionals and academics, can grasp the central issues and the unfair result of it.

While the article focuses primarily on the inequities between songwriters and poets, its message is clear: U.S. tax policy should not favor one group of artists over another. Escajeda’s critique of the role special interest lobbying plays in creating such disparities is insightful, and her call for a more thoughtful and targeted approach to tax policy reform is well-founded. By raising these issues in an accessible manner, she invites policymakers to reconsider how creative works are taxed and ensures that the article has the potential to reach a broader audience.

Overall, "Bad Tax Policy Breeds Bad Blood Between Songwriters and Poets" is an engaging and worthy contribution to the discussion of tax fairness. Escajeda successfully highlights an area of tax policy that deserves attention (and perhaps is not very known to many), making a strong case for why reform is necessary. The article’s cultural relevance, clear writing, and engaging tone make it a must-read for those interested in how tax law affects creative industries.

Here’s the rest of this week’s SSRN Tax Roundup:

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